UnTraces (2022) is a photographic essay on alternative processes, reflecting how two subjects engage with the camera. The project showcases a profound symbiosis between the artist's abstract representation of himself and the romantic portrayal of his partner, resulting in a captivating universe where delicacy, mystery, and mythology intertwine.

The first part of the project focuses on self-portraits, shedding light on the artist's pathological fear of exposing his body. This fear and body dysmorphia drive him to create abstract images that veer away from conventional depictions of the human form. The second part of the project consists of portraits of his partner, one of his most significant sources of inspiration. The techniques used by the artist such as glass plates, long exposures and silver gelatine prints characterise his latest experimental approach and his enthusiasm for alternative processes.